Instrumental music for the film was indispensable factor in the cinema, from its beginnings until today. Already at the age of silent film music was absolutely necessary, first of all when playing a movie. Even the great filmmakers, who knew the importance of music for the film, was an active creator of music for his films.
The above arguments raise the question of choice of music and composers for each film. The question is important if we are striving to achieve the film as a work of art.
For the film can be used earlier composed music, or you can ask the musicians to create an entirely new music. In the first case, the selection of music, the key person is a film worker. In another case, a key person is a musician.
The musician can create music for the film based on his and others' experiences (based on previous works), or based on what is asked of him.
Music for the film can only be a soundtrack, but it could be the product of more or less intense experience of the film by the composer. Music can track human movement, then it is more in terms of mathematics. Music can describe the mental state of characters, and that means greater involvement of composer in the creation.
Music with its quality can override the film and then it's not good. Music can be a genius, but in the same case does not meet the needs of the film. Also, music can be so impersonal that can ultimately reduce the quality of a movie. But when you get along at the same time a remarkable film creation and excellent original music, we can speak of timeless artistic achievement.
The music for the film can be regarded as an independent art, and for it, as for every genuine art, needs inspiration. Inspiration comes from within, from the artist's imagination. Inspiration, knowledge of music theory, practice, but the experience of listening to other artists are elements that are continuously updated and provoke each other.
Music with its quality can override the film and then it's not good. Instrumental music for the film can be a genius, but in the same case does not meet the needs of the film. Also, music can be so impersonal that can ultimately reduce the quality of a movie. But when you get along at the same time a remarkable film creation and excellent original music, we can speak of timeless artistic achievement.
The above arguments raise the question of choice of music and composers for each film. The question is important if we are striving to achieve the film as a work of art.
For the film can be used earlier composed music, or you can ask the musicians to create an entirely new music. In the first case, the selection of music, the key person is a film worker. In another case, a key person is a musician.
The musician can create music for the film based on his and others' experiences (based on previous works), or based on what is asked of him.
Music for the film can only be a soundtrack, but it could be the product of more or less intense experience of the film by the composer. Music can track human movement, then it is more in terms of mathematics. Music can describe the mental state of characters, and that means greater involvement of composer in the creation.
Music with its quality can override the film and then it's not good. Music can be a genius, but in the same case does not meet the needs of the film. Also, music can be so impersonal that can ultimately reduce the quality of a movie. But when you get along at the same time a remarkable film creation and excellent original music, we can speak of timeless artistic achievement.
The music for the film can be regarded as an independent art, and for it, as for every genuine art, needs inspiration. Inspiration comes from within, from the artist's imagination. Inspiration, knowledge of music theory, practice, but the experience of listening to other artists are elements that are continuously updated and provoke each other.
Music with its quality can override the film and then it's not good. Instrumental music for the film can be a genius, but in the same case does not meet the needs of the film. Also, music can be so impersonal that can ultimately reduce the quality of a movie. But when you get along at the same time a remarkable film creation and excellent original music, we can speak of timeless artistic achievement.
About the Author:
Anthony is an author that writes about instrumental music for film. Simply listen to his suggestions and you will see why he became a big fan of instrumental music in Croatia.
